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Othello's Touch @TEATRUL NATIONAL CLUJ

26 APR JOI

poster Othello's Touch @TEATRUL NATIONAL CLUJ Cluj

OTHELLO'S TOUCH - 26 APRILIE la TEATRUL NATIONAL CLUJ 
Productie MARIO DANCE ATELIER & TOKYO THE COMPANY (USA)

Othello's Touch, coproductie Mario Dance Atelier & Tokyo The Company (SUA) este un spectacol manifest al noului in arta, o marturie a poeticii polivalente a acestui inceput de secol. Mix-ul surprinzator de BALET CLASIC SI DANS CONTEMPORAN se articuleaza aici in, probabil, cel mai adecvat limbaj scenic in care poate fi re-povestita astazi celebra drama shakespeareana si pot fi traduse temele mai contemporane decat oricand. Pentru ca in "Othello's Touch" este vorba si despre segregare ( rasiala, politica si religioasa) si despre viata, dar mai ales despre excluderea exceptionalului din mainstream-ul cotidian al socialului, despre complicitatea majoritatii in vederea anularii individualitatii. In fata acestei adevarate dictaturi a mediocritatii, cel "diferit" nu poate rezista - in pofida summum-ului de calitati pe care le reprezinta - decat pana in punctul in care iubirea (in toate ipostazele ei) se destrama in detalii...

IN FOND, OTHELLO ESTE TOT CEEA CE NU POT FI CEILALTI. 
SI ACEASTA DOVADA A IMPERFECTIUNILOR TREBUIE SA DISPARA....

DANSATORI:
DJ Smart - OTHELLO 
Kai Lin Brian Raymond Hannah Gallagher Alex Richard Crina Cătinean Miriam Abrudan Aleksandra Dragova


Othello's Touch, co-production of the Mario Dance Workshop & Tokyo The Company (USA), is a manifestation of the new art, a testimony of the polyvalent poetics of this early century. The surprising mix of CLASSICAL BALLET AND CONTEMPORARY DANCE articulates here in perhaps the most appropriate scenic language in which the famous Shakespearean drama can be re-narrated today and can be translated into more contemporary themes than ever. Because "Othello's Touch" is about segregation (racial, political and religious) and about life, but especially about the exclusion of the exceptional in the daily mainstream of society, about the complicity of the majority in order to cancel the individuality. In front of this real dictatorship of mediocrity, the "different" can not resist - in spite of the summum of qualities they represent - than to the point where love (in all its hypostases) falls apart in detail ...

AFTER ALL, OTHELLO IS ALL THAT OTHERS CAN NOT BE.
AND THIS PROOF OF IMPERFECTIONS MUST DISAPPEAR ....

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